Carlo Aonzo
International Italian Mandolin Academy

The International Italian Mandolin Academy directed by Maestro Carlo Aonzo provides a unique opportunity to participate in a one-week musical holiday dedicated to the mandolin and the guitar. Together with musicians from all over the world, moments of intense cultural, musical and social exchange are shared with participants of all ages in which music becomes the common, universal language. Founding Director of the course, Carlo Aonzo, is an internationally renowned mandolinist whose work has contributed to the diffusion of the Italian mandolin tradition for many years. Indeed, it was during his innumerable concert tours that the demand on the part of mandolinists from all over the world was expressed, for participation in a week of musical study in the country of origin of this instrument.

The Academy gives participants the chance to become acquainted with music which was originally composed for the mandolin from the baroque period to the contemporary.

The first two sessions of the Academy were held in Savona, Carlo Aonzo’s birthplace and home of the Ligurian plucked instrument tradition. The need to discover other places with an important mandolin tradition led Carlo Aonzo and the Academy staff to choose the Ticino (another key location in the history of this instrument) for the third and fourth sessions. The 5th session returned to Savona and the 6th session moved to Ferrara where it will also be held in 2012.

The Academy offers courses in mandolin, mandola, mandoloncello, guitar and conducting. It is open to musicians at all levels, from beginners to professionals.

Additional activities related to the mandolin and the guitar are organized, such as lectures and concerts, and are especially dedicated to young people.

For more information click here:

International Italian Mandolin Academy

Accademia Photos

Accademia 2011 Savona

Accademia 2011 Savona

Orchestra dell'Accademia Internazionale di Mandolino

Orchestra dell'Accademia Internazionale di Mandolino

Manhattan Mandolin Workshop

Since 2001, Carlo Aonzo has come to New York City every year to spread his vision of Italian style mandolin. With grace, charm, and patience, he teaches and illustrates his style and technique. Attendees at his workshops learn in a warm and supportive, but challenging environment.

Music is distributed months in advance so students can prepare the material. Then, at the workshop, Carlo teaches finer points of nuance, style, dynamics, and ensemble playing.

The workshop runs for three full days On the first day, Carlo teaches a class on Technique and Exercises. The rest of the workshop is devoted to Manodlin Orchestra. Music played at the workshop includes works from all the major periods of mandolin music. We also play repertoire for bowed instruments as well as contemporary compositions for mandolin. Attendees of past workshops have enjoyed playing music by Bach, Barbella, Bottacchiari, Calace, Denis, Falbo, Gervasio, Giuliani, Kioulaphides, Mozart, Munier, Principe, Romaldi, Telemann, and of course Vivaldi.

Attendees have unanimously praised Carlo and the workshop (see some comments below).

The workshop is intended for intermediate and advanced mandolinists. Beginners may be accepted but should inquire as to suitablility before registering.

We hope you will join us in New York for the next workshop. The 2013 workshop will be held the weekend of April 4-7 in Manhattan. Advance reservations are required. For more information, please email Chaim Caron.

Click here for more information about the Manhattan Mandolin Workshop.

Past workshops

Attendees' Comments

Best part of the workshop: "Carlo's spectacular guidance as always." "This is my 3rd year and now it feels like a community of friends who really come together to play and forget everything else..." H.A.

"... playing under Carlo's directorship and hearing him play will never be forgotten." J.F.

he best part of the workshop was " Playing some new (to me) and beautiful mandolin orchestra pieces with dedicated people and with Carlo's direction...""It is a rare treat to hear classical mandolin playing of the calibre of Carlo. It is inspiring and expands our minds to the possibilities of the instrument as well as being so very beautiful." J.N.

"Kudos - Bravissimo to you for a job well done. I couldn't find one thing that I didn't think went well. It was so well organized, and I thoroughly enjoyed the workshop..." J.P.

..."As always, things proceeded smoothly, the quality of instruction was very high, the tone appropriately serious, yet light and fun." C.B.
NYC

"Connecting and reconnecting with the kindred spirits of the workshop is always wonderful, a very addictive experience". "My expectations are always high, and this workshop exceeds them every time." B.C.

"Carlo was a warm, gracious and humorous instructor, and I got more technique in the two hour technique session than I had gotten in two years of studying from books and videos. I felt very at ease and welcome in the group, despite that it was my first time. I had a great time!" G.R.

"It's the quality of Carlo's musicianship and vision that makes this experience truly significant." T.F.

"The quality of our playing at the final rehearsals and at the recital made me very joyful." D. W.

"The whole atmosphere has evolved into such musical inspiration...Carlo brings the whole package...player /performer/conductor...you are inspired to be a better mandolin player/ performer/ musician". D. F.

This event will be a touchstone of my mandolin year into the future.
- SCT, Hadley, Massachusetts

I think the highlight was seeing a piece develop from sets of notes into a cohesive musical expression.
- D.W., Calgary, Alberta

It was wonderful to have new works to perform as part of the orchestra repertoire, especially with [composer Victor Kioulaphides] in attendance. It was evident that the classical mandolin community not only has a rich past but also a bright future with new pieces being written specifically for the mandolin.
- L. B., professional musician, Milwaukee, WI

The farther the time from the workshop, the more I appreciate it as I go back to the music and remember how it was interpreted, and reach for my goal: to play it to its full potential.
- P.C., professional musician, Wayne, NJ

Carlo's interpretation of the music is exquisitely sensitive, and he imparts an energy that brings out the best performance of each musician. He knows how to command what's right for the music, without compromise, while encouraging the players to overcome their difficulties with humor and grace.
- E.A., Melbourne Beach, FL

The workshop moved along at a good, but not punishing pace. All of the operational factors seemed to proceed smoothly, evidence of good planning and flexible but firm control. The organizers' enthusiasm for the music and for the mandolin comes across unmistakably.
- CB, New York, NY

Carlo is, of course, a unique artist, whose virtuosity is only matched by his boundless generosity and communicative skills. We are privileged indeed to have him among us!
- V.K., professional musician, New York, NY

More Comments:

Carlo makes you think about how, why, and where you're moving your fingers and plectrum.
- J.R., Manhattan

It has/will improve my playing. Carlo is inspiring… I came away with more than enough to keep me busy… I'm a better player because of this weekend.
- D.F., Upstate New York

The location was very good — nicely lit room, good size. The size of the group was good, not overly large. The number of sessions was good — I didn't feel as though the weekend felt "hectic" or too loosely planned. They were two good full days but with time to relax and socialize too.
- L.B., professional musician, Milwaukee, WI

I departed the workshop with new-found knowledge, inspiration, and a renewed interest in classical mandolin (notable, because I play mostly jazz). Your hard work, dedication to our chosen instrument, and willingness to share knowledge with other mandolinists are very much appreciated!
- B.C., Princeton, NJ

[The best part of the workshop was] the orchestra and meeting all those mandolin players! … The material was a little advanced — I really had to stretch some (thats GOOD).
- J.P., Upstate New York

One thing that was really nice about the workshop – a sort of sideline to the joys of Carlo's teaching – was the sense of a mandolin community. People lent instruments as needed. At the breaks folks traded licks, tried each other's instruments out or just related.
- J.G., Westchester, NY

This was a unique workshop and I marveled that it could accomodate players of widely differing levels of experience and blend them so well in ensemble in such a short time. Carlo Aonzo is a wonderfully gifted teacher and a lovely person — a treasure!
- N. H., Massachusetts

There was enough in that weekend to keep me busy til next year — scale technicques, right hand usage — and some lovely new tunes.
- B.R., NYC

I hate technique exercises and never seem to get much from them, but I got results from Carlo's exercises right away!
- D.H., Sausalito, California

Comments in the press

 "His impact and influence among mandolin aficionados worldwide has brought him acclaim and honors…his delicate, ringing, sonorous round-backed classical mandolin sound set him apart [from other competitors at the Walnut Valley Festival in Winfield, Kansas] as having the greatest mastery of the instrument…"
– David McCarty, Mandolin Magazine, Spring 2005

"Carlo…was a sensitive and patient teacher…He inspired us all to put forward our best efforts– and the result was a day filled with learning, camaraderie, and the joy of making music together."
– Anne Rivera, Mandolin Magazine, Spring 2005

"I was…very impressed from hearing and studying with a warm compassionate musician. Carlo is…full of fire and has great technique that's been honed through years of study…with his father and the great Ugo Orlandi."
– Terry Pender, Mandolin Quarterly, September 2001

"I found [Carlo] to be an absolutely charming young man, unassuming, but confident and thoroughly knowledgeable… Was it worth…the hassle [of New York City traffic]? Absolutely…Carlo will be holding workshops. I highly recommend them!"
– Antonina Nigrelli, The Mandolin Journal, August 2001